About Robert Longo

Robert Longo (born 1953 in Brooklyn, New York) is a leading contemporary American artist, internationally recognized for his powerful, photographically based artworks that interrogate themes of power, authority, and social tension. A central figure of the Pictures Generation of the late 1970s and 1980s, Longo is known for appropriating imagery from mass media and transforming it into monumental artworks that serve as cultural critique. His subjects - ranging from guns, flags, and jet fighters to historical figures and urban landscapes - confront the political and emotional undercurrents of contemporary society.

A hallmark of Longo’s practice is his ability to elevate drawing into a monumental and cinematic medium. Working primarily in charcoal and graphite, he employs dramatic chiaroscuro to produce large-scale, hyper-realistic compositions that merge the intimacy of drawing with the commanding presence of painting. His exploration across sculpture, film, photography, and limited edition prints further underscores the multidisciplinary depth of his practice.

Longo rose to international prominence in the 1980s with his iconic series Men in the Cities, which depicts sharply dressed business figures in contorted, almost balletic poses. These works - realized as large-scale drawings, photographs, and prints - embody both a critique of modern alienation and a striking visual language that has become emblematic of his career. Other key bodies of work, such as his depictions of American flags, roaring waves, and political architecture, extend his commentary on the fragility of power and the turbulence of contemporary life.

Balancing personal expression with cultural critique, Robert Longo’s art remains both visually arresting and socially resonant. His paintings, sculptures, and prints are represented in major museum collections worldwide, and his ability to fuse technical mastery with political urgency continues to influence and inspire new generations of artists and collectors alike.

Notable exhibitions

Robert Longo’s exhibition history reflects his prominence as one of the most influential American contemporary artists of his generation. He gained early international recognition with inclusion in prestigious group presentations such as documenta 7 (1982) and documenta 8 (1987) in Kassel, as well as the Whitney Biennial in 1983 and 2004. In 1997, he represented American contemporary art at the 47th Venice Biennale, further solidifying his reputation on the global stage.

Significant solo retrospectives have followed throughout his career. Highlights include Monsters at Metro Pictures in 2002 (also featured in the 2004 Whitney Biennial), his 2009–10 survey at the Musée d’Art Moderne et d’Art Contemporain in Nice and the Museu Colecção Berardo in Lisbon, and the comprehensive exhibition Robert Longo: The Acceleration of History at the Milwaukee Art Museum (October 2024–February 2025). These career-spanning shows emphasized both his iconic Men in the Cities series and his monumental charcoal drawings addressing power, politics, and history.

More recent institutional recognition includes major solo exhibitions at the Albertina in Vienna (September 2024–January 2025, traveling to the Louisiana Museum of Modern Art in Denmark in April 2025) and at the National Gallery of Art in Washington, D.C., which presented Drawings: Engines of State in 2023. Together, these exhibitions underscore Longo’s ongoing relevance and affirm his legacy as one of the most significant and critically acclaimed artists working today.