



Anni Albers - ST
VAT not deductible (Margin Scheme).
Anni Albers (German-American, 1899-1994)
ST, 1971
Medium: Screenprint on cardboard
Dimensions: 83 × 62 cm (32 7/10 × 24 2/5 in)
Edition of 150 + 10 AP: Hand-signed and numbered in pencil
Condition: Very good
Artwork details
Anni Albers’ ST (1971) is a striking example of the artist’s exploration of geometric abstraction, deeply rooted in her Bauhaus training and lifelong engagement with textile design. The interlocking white forms create a rhythmic, optical pattern that reflects her precision and sensitivity to structure, balance, and materiality.
Produced as a limited edition screenprint, each impression is hand-signed and numbered, reinforcing its rarity and collectability. This artwork embodies Albers’ vision of uniting fine art and design through disciplined abstraction and formal clarity.
About this artist
Anni Albers was a pioneering artist and designer whose work redefined the boundaries of textiles and printmaking, bringing textile art to the forefront of modern art. Known for her innovative approach, she combined her technical mastery with a unique aesthetic sensibility rooted in geometric abstraction. Her artworks, primarily in weaving and print, often explored the interplay of pattern, texture, and structure, creating dynamic compositions that remain celebrated today. Anni Albers began her artistic journey at the Bauhaus, where she trained in weaving after initially being restricted from painting due to gender biases. This constraint became a transformative opportunity, as she developed a distinct style characterized by bold, geometric forms. Her early artworks displayed a rigorous sense of order and precision, while her later works, especially her limited edition prints, delved into complex, layered designs that explored the essence of shape and form. In print, Anni Albers translated her weaving techniques onto paper, achieving a similar tactile quality and intricate interplay of line and shape. These fine art prints are marked by her characteristic use of minimalistic geometric patterns, creating striking contrasts between positive and negative spaces. Through both her woven artworks and prints, she challenged traditional notions of “craft” and “art,” arguing for the value and significance of textile art within the broader art world. Today, Anni Albers’ artworks are celebrated for their enduring influence on design and modern art, embodying the Bauhaus principles of form and function. Her legacy continues to inspire artists who seek to merge aesthetics with technical skill, using geometry to communicate a language of beauty and balance. Her artwork has been celebrated in major retrospectives worldwide, including the Museum of Modern Art in New York (1949), Tate Modern in London (2018), and Guggenheim Bilbao (2019).

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