


Daniel Buren - Untitled (Leporello)
VAT not deductible (Margin Scheme).
Daniel Buren (French, born 1938)
Untitled (Leporello), 2009
Medium: 10-part leporello, digital pigment print on 188 g Hahnemühle Photo Rag paper
Dimensions: 250 x 32 cm (98½ x 12½ in)
Edition: 75: Hand-stamped and numbered by the artist
Condition: Excellent (folded, as issued)
Artwork details
Daniel Buren’s Untitled (Leporello) transforms his iconic vertical stripes into a large-scale, fold-out multiple that blurs the line between print and installation. Executed as a 10-part leporello, the artwork exemplifies Buren’s lifelong engagement with the spatial possibilities of art, using his trademark stripes not as subject matter but as a conceptual tool. When displayed on a wall, the leporello transcends its form as a print and becomes an architectural intervention, echoing Buren’s in situ practice across museums and public spaces worldwide.
About this artist
Daniel Buren is a French conceptual artist known for his use of stripes and his engagement with the relationship between abstract art and architecture. Born in 1938 in Boulogne-Billancourt, France, Buren has been a leading figure in the development of conceptual art since the 1960s. He often uses stripes of contrasting colors to create visual interference patterns that disrupt the visual field and challenge our perceptions of space. Buren also employs stripes in his ‘in situ’ installations, using them to create dynamic interactions between the artwork and the architectural environment in which it is installed. Daniel Buren has been a vocal critic of the way that art is commonly displayed in museums and galleries, and has sought to challenge these conventions through his use of public spaces and non-traditional exhibition venues. This has led to a body of artworks that is deeply engaged with the social and cultural context in which it is produced, and that seeks to challenge the dominant cultural and political ideologies of our time. Buren’s artwork is also notable for its exploration of the role of the artist in contemporary society. He has been an advocate for the democratization of art and the expansion of its accessibility to a wider audience. Through his use of public spaces, his engagement with architecture, and his focus on the social context of art, Daniel Buren has expanded our understanding of what art can be and what it can do. His work has been the subject of solo exhibitions at important institutions including the Solomon R. Guggenheim Museum (New York), Musee Nacional d’Art Moderne (Paris), Kunsthaus Bregenz and Städtisches Museum (Mönchengladbach).
Auction record: $2,2m, Christie’s, New York, 2019

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