David Shrigley - I've Heard About Freedom + Do Not Eat Him (2 Prints)

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David Shrigley (British, 1968)

I’ve Heard About Freedom + Do Not Eat Him, 2022

Medium: Set of two digital prints on paper

Dimensions: 70 x 50 cm (27 3/5 × 19 7/10 in)

Edition of 250: Not signed, not numbered

Condition: Mint

This artwork ships worldwide.

About this artwork

David Shrigley - I've Heard About Freedom + Do Not Eat Him (2 Prints)

David Shrigley’s I’ve Heard About Freedom and Do Not Eat Him (2022) are a pair of digital prints that use simple black linework and text to deliver poignant, absurd reflections on autonomy and empathy. 

One features a caged bird rejecting freedom, while the other pleads for the life of a squid, declaring him “intelligent and special.” Issued in an unsigned, unnumbered edition of 250, these prints encapsulate Shrigley’s unique blend of wit, melancholy, and moral provocation.

About David Shrigley

David Shrigley is a British artist celebrated for his distinctive and deceptively simple artistic style, coupled with a sharp, incisive sense of humor. Born in 1968 in Macclesfield, England, his multifaceted artistic practice encompasses drawing, painting, sculpture, animated film, and print, all unified by an intentionally crude graphic style that cleverly reflects on the absurdities of the human condition.

Shrigley’s art engages with a directness that simplifies the complexity of modern life, making his artwork both accessible and profoundly insightful. His unique approach draws on elements of Pop Art, yet diverges by emphasizing the peculiarities and ironies of everyday existence rather than focusing on consumer culture. Known particularly for his drawings and paintings, David Shrigley employs a deliberately naive and raw aesthetic. These artworks often incorporate text, adding layers of ironic or deadpan commentary that underscore the visual humor or surprise within the imagery, making him a notable figure in contemporary text-based art.

His fine art prints and other limited editions further showcase his ability to distill complex cultural critiques into engaging visual and textual forms, appealing to a wide audience beyond traditional art circles. These editions are especially sought after for their witty encapsulation of Shrigley’s artistic voice. In addition to his two-dimensional work, Shrigley's three-dimensional artworks and public installations bring his peculiar narratives and characters into the physical world, expanding the scope of his artistic commentary. His seamless blending of visual and textual elements positions him uniquely in the contemporary art scene, resonating with both art critics and the general public.

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