Ed Ruscha – Mr. Ray

Sale price€12.500,00

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Ed Ruscha (American, b. 1937)

Mr. Ray, 1975

Medium: Lithograph in colors on wove paper

Dimensions: 35.6 × 51.4 cm (13.8 x 20 in)

Edition of 100: Hand-signed and numbered

Catalogue raisonné: Engberg/Phillpot, No. 24 (Vol I) and no. 86 (Vol II)

Publisher: Luciano Anselmino/Galeria il Fauno, Torino, Italy (with their blindstamp)

Condition: Very good

This artwork ships worldwide.
Ed Ruscha – Mr. Ray

About this artwork

Ed Ruscha – Mr. Ray

Ed Ruscha’s limited edition print Mr. Ray exemplifies his signature blend of text and image, presenting bold typography over a subtly textured ground. Created in 1975, the work originated from a commission for a planned portfolio honoring Man Ray, organized by Luciano Anselmino/Galeria il Fauno in Turin; although the project was never completed, the print was published in an edition of 100 and bears the gallery’s blindstamp.

Ruscha’s choice of name pays tribute to Man Ray’s influence on his thinking around language, visual poetry, and the fluid movement between mediums. Man Ray’s experiments with language and his cross-media practice offered a precedent for Ruscha’s own word-pictures and artist books, where the idea dictates the form and text becomes a pictorial subject. The direct, logo-like clarity of “Mr. Ray” compresses reference and homage into a single graphic gesture, reflecting Ruscha’s broader interest in the word as image and the legacy of Surrealist experimentation.

Ed Ruscha – This Sky

About Ed Ruscha

Ed Ruscha, an American painter and photographer born in 1937 in Omaha, Nebraska, is a seminal figure in contemporary art, known for his exploration of the fluidity of language through his artworks. Although often associated with Pop Art and the Beat Generation, Ruscha’s diverse and innovative body of work, which includes paintings, prints, and photographic artist’s books, defies easy categorization. His distinctive use of text-based imagery and his background in graphic design are evident in his strategic manipulation of typography—using color, layout, and font to transform words into visual art and back again, as Ed Ruscha himself noted, “I like the idea of a word becoming a picture, almost leaving its body, and then coming back and becoming a word again.” Ruscha’s artwork often incorporates unconventional materials such as gunpowder, Pepto Bismol, and even blood, pushing the boundaries of traditional painting and printmaking.

His text-based paintings and fine art prints play with the connotations and perceptions of language, highlighting its impermanence and the clichés prevalent in popular culture. This thematic focus not only challenges the viewer’s understanding of communication but also comments on the ephemeral nature of language and its degradation over time. Ed Ruscha’s influence extends across the art world, impacting a wide range of artists and continuing to provoke thought about the essence of human communication through his innovative use of text and image.

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