Ellsworth Kelly – Die Welt

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Ellsworth Kelly (American, 1923-2015)

Die Welt, 2011

Medium: Offset lithograph on vellum

Dimensions: 57.2 x 40 cm (22½ x 15¾ in)

Edition of 100: Hand-signed and numbered

Publisher: Die Welt, Berlin

Condition: Mint

This artwork ships worldwide.
Ellsworth Kelly – Die Welt

About this artwork

Ellsworth Kelly – Die Welt

Ellsworth Kelly’s Die Welt (2011) is an offset lithograph on vellum that reproduces the artist’s geometric intervention for the German newspaper’s front page. Hand-signed and numbered in an edition of 100, the artwork measures 57.2 x 40 cm and was published in Berlin by Die Welt. Issued for the paper’s annual Künstlerausgabe, the fine art print commemorates Kelly’s one-day replacement of all newspaper imagery with his signature abstract forms.

Ellsworth Kelly - Small Black Curve

About Ellsworth Kelly

Ellsworth Kelly (1923–2015), an American painter, sculptor, and printmaker, was a leading figure in the development of hard-edge painting, color field painting and minimalism. Known for his emphasis on the fundamentals of line, color, and form, Kelly also pioneered innovative techniques such as shaped canvases and multi-panel paintings.

His minimalist approach, characterized by large, geometric shapes and monochrome surfaces, marked a significant departure from the expressive styles of his abstract expressionist contemporaries like Jackson Pollock and Mark Rothko. After six years of study in France, Kelly was deeply influenced by European abstract artists including Kazimir Malevich, Paul Klee, and Constantin Brancusi. Unlike his peers who pursued a distinctly American style of abstraction to break away from European traditions, Ellsworth Kelly embraced and reinterpreted these influences, integrating them into his unique visual language.

He developed a method of ‘impersonal observation of form,’ drawing inspiration from natural and everyday sources such as architectural structures, plants, and shadows. These observations translated into his artwork as simple yet impactful geometric forms, often with sharp, clearly delineated edges and vibrant, uniform color fields.

Kelly’s abstract artworks, including his paintings, sculptures, and fine art prints, showcase a profound exploration of shape and color, stripped of any personal emotion, yet full of rigorous precision. He once explained his artistic vision by saying, “Everywhere I looked, everything I saw became something to be made, and it had to be made exactly as it was, with nothing added.”

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