Thomas Demand – Klause (Scheinprobleme in der Philosophie)

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Thomas Demand (German, born 1964)

Klause (Scheinprobleme in der Philosophie), 2006

Medium: Digital pigment print, screenprint bookplate and artist’s book

Dimensions: 30.3 x 23 cm (11.9 x 9.1 in)

Edition of 20: Digital pigment print is hand-signed and dated (not numbered), screenprint bookplate is hand-signed and numbered

Artist’s book: Rudolf Carnap: Scheinprobleme in der Philosophie. Das Fremdpsychische und der Realismusstreit. (from the series Ex Libris, 2006; edition of 200; originally published 1928)

Condition: Mint

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Thomas Demand – Klause (Scheinprobleme in der Philosophie)

About this artwork

Thomas Demand – Klause (Scheinprobleme in der Philosophie)

In Klause (Scheinprobleme in der Philosophie), Thomas Demand transforms a meticulously constructed paper model into a haunting photographic image. The work captures the delicate remains of a potted plant, evoking themes of decay, fragility, and the passage of time.

Presented as a digital pigment print with a screenprint bookplate, this edition reflects Demand’s conceptual engagement with reconstruction and perception. The piece accompanies a 2006 artist’s reprint by Thomas Demand of Rudolf Carnap: Scheinprobleme in der Philosophie, part of the Ex Libris series (originally published 1928).

Thomas Demand - Five Drafts (Simulator)

About Thomas Demand

Thomas Demand is a renowned German artist whose unique practice integrates sculpture and photography, creating large-scale, illusionistic photographs that are steeped in layers of interpretation and artifice. Initially trained as a sculptor, Demand began his artistic journey crafting intricate models from paper, which he then captured photographically. Over time, his method evolved such that the models themselves became transient, constructed solely for the purpose of photographing and then deliberately destroyed, leaving the photos as the sole enduring artworks.

Demand’s artworks are meticulously staged recreations of scenes often sourced from media images that depict politically or historically significant locations. For instance, he has reconstructed environments like the bunker where an assassination attempt on Adolf Hitler was made, transforming them into life-size models made entirely from paper and cardboard. These models, while appearing ordinary at first glance, hold deep historical and political resonances. After photographing these painstakingly crafted scenes, Demand destroys the physical model, ensuring that the photograph serves as the final, enigmatic artifact of his artistic intervention. The resulting artwork challenges the viewer’s perception of reality, blurring the lines between what is real and what is fabricated. Demand’s art questions the authenticity of photographic representation and explores themes of memory and history, often depicting spaces that suggest human presence or recent activity yet remain hauntingly devoid of people.

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